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SMALL BOAT ADRIFT! STARBOARD BOW!
LOOK! OFF STARBOARD!
[ Commotion ]
UP INTO THE WIND! GET OUT THE SMALL BOAT!
LOWER AWAY! LOWER AWAY!
EASY. EASY.
GET THAT JIB IN.
COMING ABOARD!
GET THAT PAINTER. THROW THAT LINE, KEARNEY.
COME ON. GET THAT BOAT IN.
THERE'S TWO OF THEM, SIR. A MAN AND A WOMAN.
- DEAD OR ALIVE? - DEAD, SIR.
HOLD IT FAST. A CHILD, SIR!
A WHAT? ALIVE!
[ Crying ] I'LL TAKE HIM.
THANK YOU, MA'AM.
[ Crying Continues ]
THERE. THERE NOW.
"WE, THEREFORE, COMMIT THEIR BODIES...
"TO THE BOSOM OF THE WATERS TO BE TURNED INTO CORRUPTION...
"LOOKING FOR THE RESURRECTION OF THE BODY...
"WHEN THE SEA SHALL GIVE UP HER DEAD...
AND THE LIFE OF THE WORLD TO COME THROUGH OUR LORD, JESUS CHRIST." AMEN.
CAPTAIN.
THE SURGEON WOULD LIKE TO HAVE A WORD WITH YOU, SIR.
THE SICKNESS IN THE CREW, SIR. YOU'VE GOT FIVE MORE TAKEN DOWN SINCE MIDWATCH.
FEVER, CANKER SORES.
YOUR CABINET IS FULL OF BROMIDE. NOW LEECH IT OUT.
IT'S BEYOND BLEEDING, SIR.
MR. PENFIELD, I LOOK TO YOUR MEDICAL KNOWLEDGE.
THREE DAYS AFTER WE LEFT MOOREA, YOU THOUGHT IT WAS SCURVY.
THEN HALF THE CREW TOOK SICK. YOU TOLD ME IT WAS BREAKBONE FEVER.
THE SYMPTOMS WEREN'T FOR CERTAIN. NOW I KNOW.
FEVER. WITHERED SKIN. BLACK BILE.
CHOLERA.
CAN'T WE TURN BACK, CAPTAIN?
THERE'S NO PORT FOR A PLAGUE SHIP.
THEN I'LL BANK AT THE FIRST ISLAND.
THIS IS ALL OPEN SEA.
WITH DUE RESPECT, CAPTAIN, THAT SMALL BOAT PUT OUT FROM SOMEWHERES.
THIS IS A FRENCH NAVAL CHART.
THERE'S NOTHING BUT WARNINGS.
THERE'S REEFS, ATOLLS.
IT IS A CRUEL TURN FOR MRS. HARGRAVE.
LEFT WIDOWED WITH AN INFANT.
CAST THEM ADRIFT.
A WOMAN ALONE WITH TWO CHILDREN?
PUT A MAN WITH THEM. KEARNEY'S STRONG AND HE'S STILL ABLE.
THAT'LL GIVE 'EM A CHANCE. THAT'S MORE THAN I CAN SAY FOR THE REST OF US.
KEARNEY.
[ Sighs ] BEST OF A POOR LOT.
KEEP IT FROM THE REST OF THE CREW.
WAIT 'TILL MIDWATCH. AYE, SIR.
PUTTING US OFF INTO THE PERIL OF AN OPEN SEA BECAUSE SOME OF THE CREW ARE ILL?
- THIS IS MADNESS. - I'M THINKING OF YOUR OWN GOOD, MA'AM.
I MAY BE YOUNG, CAPTAIN, BUT I HAVE SPENT THE LAST THREE YEARS...
IN A CLIMATE OF FEARSOME HEAT WITH INSECTS AS BIG AS RATS AND RATS AS BIG AS CATS.
I CAN CERTAINLY DEAL WITH SOME DECKHANDS DOWN WITH FEVER.
WE'RE CARRYING CHOLERA.
IF YOU STAY ABOARD, YOU'LL DIE.
YOU CAN'T TAKE YOUR SEA CHEST, MISSUS. ONLY THINGS YOU REALLY NEED.
BUT EVERYTHING WE HAVE IN THE WORLD WILL BE IN THIS CHEST.
MRS. HARGRAVE WILL BE TAKING HER BELONGINGS.
AYE, SIR.
CHOLERA?
[ Creaking ]
MR. KEARNEY.
MR. KEARNEY, A CUP OF WATER, PLEASE.
THERE'S ONLY SO MUCH, MISSUS.
THEY'RE IN SORE NEED, MR. KEARNEY.
LOOK, THE BOY AIN'T YOURS, SO HE DON'T MATTER TOO MUCH.
YOUR INFANT KNOWS WHAT TO DO.
I'D SAY YOU'RE FRESH.
LET HER SUCKLE.
[ Both Babies Crying ]
[ Crying Continues ]
I'LL TELL YOU RIGHT NOW. I'M SICK AND TIRED OF THEM TWO'S SQUALLING.
THEN FOR THE LOVE OF GOD, GIVE THEM WATER.
I'M A PRACTICAL MAN, MISSUS.
IF I WAS ALONE, BY MYSELF, THIS COULD LAST A GOOD WHILE.
SHARING FOUR WAYS MAKES NO SENSE.
BEST THING FOR ALL OF US IS TO PUT THEM OUT OF THEIR MISERY.
YOU WON'T TOUCH THEM.
I'LL DO WHAT HAS TO BE DONE. YOU EITHER SHUT THEM UP, OR THEY'RE BOTH GOING OVERBOARD.
HUSH NOW. [ Crying Continues ]
[ Spits ] THAT'S IT. LOOK THE OTHER WAY IF YOU DON'T WANT TO SEE.
[ Crying Continues ]
[ Waves Crashing ]
RICHARD, COME QUICKLY.
JUMP OFF.
[ Infant Crying ]
[ Crying ]
[ Grunting ]
YOU CAN HELP MAMA.
MM. THAT'S MY GIRL.
YEAH.
COME ON. COME ON, LILLI.
[ Animals Squawking ]
[ Richard Whimpers ]
RICHARD, YOU STAY HERE.
IT'S FRESH.
LOOK! BANANAS!
OH, AND PAW-PAWS!
AND ROOTS! ROOTS ARE GOOD EATING.
OOH. THIS IS TARO ROOT. WE ATE IT AT THE MISSION.
AND BANANAS. COME ON, RICHARD!
HERE'S SOME BANANAS! YES! LOTS OF BANANAS!
[ Laughing ] BOAT!
HERE. DO YOU WANT SOME?
THE BOAT'S COMING.
BOAT!
LOOK. HOW PRETTY.
OH. YEAH.
OH, LILLI.
[ Thunder Rumbling ]
[ Shrieks ]
[ Thunder Continues ]
[ Wind Whistling ]
COME HERE.
[ Thunder Subsides ]
[ Bird Warbling ] [ Sighs ]
[ Lilli Crying ]
WE CAN'T STAY HERE. HMM? WE'RE TOO EXPOSED ON THIS SIDE.
WE'VE GOT TO FIND A SAFE HAVEN OUT OF THE WEATHER.
[ Crying Continues ] COME ON. COME, RICHARD.
JUST GO FOR A LITTLE WALK.
[ Crying Continues ] HERE WE GO.
LOOK. HOW BEAUTIFUL.
HOUSE.
GOOD HEAVENS.
RICHARD!
MAMA!
MAMA! MAMA!
OH, SHE'S GONE.
I KNOW SHE'S GONE.
YOUR MAMA'S GONE.
[ Crying ] IT'S ALL RIGHT.
COME HERE. I'VE GOT YOU.
MOMMY GONE! I KNOW.
IT'S ALL RIGHT. SHH. [ Crying ]
YOU'RE MAMA'S NOT HERE, BUT I AM.
I'LL BE MOMMY FROM NOW ON.
ANY PASSING SHIP WILL BE ABLE TO SEE THIS WHEN IT'S ABLAZE.
IT WON'T BE LONG BEFORE ONE FINDS US.
SLEEP NOW. CLOSE YOUR EYES.
** [ Tribal Drums ]
BE RIGHT BACK.
** [ Tribal Drums Continue ]
[ Sighs ]
I KNOW THIS IS YOUR FAVORITE DESSERT, RICHARD, BUT TRY TO EAT MORE SLOWLY...
AND HOLD THE SPOON THIS WAY AS I'VE SHOWED YOU.
SOMEDAY SOON, AFTER THE SHIP COMES,
YOU'LL FIND YOURSELF SEATED IN A WELL-APPOINTED TABLE IN SAN FRANCISCO...
AND BE EXPECTED TO SHOW PROPER TABLE MANNERS.
RICHARD! DON'T DO THAT.
RICHARD! JUST BECAUSE WE ARE AWAY FROM CIVILIZATION...
DOES NOT MEAN WE BEHAVE UNCIVILIZED.
[ Continues Drumming ] ** [ Tribal Drums ]
FULL MOON.
** [ Tribal Drums Continue ]
THEY COME EVERY THREE MONTHS WHEN THE MOON IS FULL.
OFF TO BED, CHILDREN. QUICKLY.
[ Crying ] RICHARD, COME.
IT'LL BE ALL RIGHT.
TONIGHT YOU'LL GET YOUR LULLABY IN THE DARK.
[ Crying Continues ]
* LOVE DIVINE
* ALL LOVE'S EXCELLING [ Crying Continues ]
* JOY OF HEAVEN TO EARTH COME DOWN *
* FIX IN US THY HUMBLE DWELLING * [ Crying Subsides ]
* FOR THY FAITHFUL MERCIES CROWN *
* JESUS THOU ART ALL COMPASSION * ** [ Tribal Drums Continue ]
* PURE, UNBOUNDED LOVE THOU ART **
** [ Drums Stop ]
[ Oinking ]
[ Giggling ]
[ Pig Squealing ]
- THE MOTHER. - [ Squealing ]
[ Oinking ]
[ Squealing Continues ]
PUT IT DOWN!
- WHOA! - [ Laughing ]
[ Lilli ] MOTHER, WHY DO YOU WEAR YOUR CLOTHES WHEN YOU BATHE?
[ Mrs. Hargrave ] BECAUSE IT'S PROPER.
WHY DON'T RICHARD AND I WEAR CLOTHES WHEN WE BATHE?
OH, I GAVE UP ON YOU TWO LONG AGO. I PUT YOUR CLOTHES ON AND YOU'D JUST TAKE THEM OFF.
I WISH I LOOKED LIKE RICHARD DOWN THERE.
WHY? BECAUSE HE CAN AIM WHEN HE GOES PSST!
I CAN HIT A MANGO LEAF DEAD CENTER.
[ Sighs ]
WHY DOES HE HAVE ONE HE CAN AIM AND WE DON'T?
WELL, GOD, IN HIS INFINITE WISDOM,
DECIDED--
WELL, NATURE GAVE US DIFFERENT PARTS.
- WELL, YOU SEE, A FEMALE HAS A-- - A COWRIE SHELL.
WHAT? LILLI LOOKS LIKE A COWRIE SHELL DOWN THERE.
SO THAT'S WHAT YOU CALL MINE-- A COWRIE SHELL.
AND WE CALL RICHARD'S A-- NO, NO, NO, NO, NO.
UM, NEVER MIND.
I THINK THIS HAS GONE A LITTLE FAR.
I SHOULD HAVE EXPLAINED CERTAIN OF LIFE'S FACTS TO YOU YEARS AGO.
EXPLAIN CERTAIN OF LIFE'S FACTS NOW.
NO. I NEED TO THINK ABOUT IT FIRST.
I'LL EXPLAIN IT TO YOU AFTER YOUR SPELLING LESSON TONIGHT.
COME ON, LET'S RINSE. LET'S RINSE OFF. TONIGHT?
ALL RIGHT? EVERYBODY.
WHY DO PEOPLE GET MARRIED?
IT WAS GOD'S COMMANDMENT THAT WHEN A MAN AND WOMAN LOVE EACH OTHER,
THEY TAKE VOWS-- VOWS ARE LIKE PROMISES.
THEY MAKE PROMISES TO EACH OTHER IN THE EYES OF GOD FOR THE WHOLE WORLD TO WITNESS.
AND THAT'S CALLED THE MARRIAGE CEREMONY.
AND HERE IS THE CEREMONY YOUR FATHER USED TO SAY...
WHEN HE PERFORMED MARRIAGES AT THE MISSION.
WHAT ABOUT THE LIFE FACTS?
WHEN A GIRL BECOMES A WOMAN...
AND A BOY BECOMES A MAN--
WHEN'S THAT?
WELL, IT'S DIFFERENT FOR EVERYONE, BUT YOU'LL KNOW WHEN IT HAPPENS TO YOU.
- HOW? - WELL, LILLI,
YOUR BODY WILL BECOME ROUNDER.
YOU'LL GROW BREASTS LIKE MINE.
AND EVERY MONTH YOU'LL BLEED A BIT FROM THE OPENING BETWEEN YOUR LEGS.
I DON'T WANNA BLEED.
IT ONLY LASTS A FEW DAYS,
AND IT'S A GREAT BLESSING, BECAUSE IT MEANS YOU CAN HAVE A BABY.
- DO I HAVE TO BLEED? - NO.
BUT YOUR BODY WILL CHANGE TOO.
YOUR VOICE WILL GROW DEEPER AND YOU'LL GROW HAIR ON YOUR FACE.
AND I THINK YOU'D LOOK VERY HANDSOME WITH A BEARD.
UNLESS, OF COURSE, YOU WANNA SCRAPE IT OFF.
I WANT THE BABY NOW.
YOU CAN'T. YOU'RE NOT READY YET.
EVEN WHEN YOU ARE, YOU NEED THE MAN TO MAKE THE BABY THAT WILL GROW INSIDE YOU.
INSIDE ME? YES.
THERE'S A SPECIAL PLACE INSIDE A WOMAN...
WHERE THE BABY STAYS NICE AND WARM AND SAFE...
UNTIL IT'S READY TO BE BORN INTO THE WORLD.
HOW DOES THE BABY GET IN THERE?
WELL,
AFTER THEY'RE MARRIED,
THE MAN AND WOMAN LIE VERY--
VERY CLOSE TOGETHER AND--
I KNOW. IT'S LIKE THE IGUANAS, LILLI.
YOU KNOW, WHEN THEY GET SO CLOSE YOU CAN'T TELL WHERE ONE BEGINS AND THE OTHER ENDS?
UH-HUH. THAT'S IT? THAT'S IT.
YES, BECAUSE THE IGUANAS ALWAYS HAVE THEIR BABIES SOON AFTER.
THAT'S IT, MOTHER?
WELL, THAT'S... MOST OF IT.
THAT'S WHAT I'VE BEEN WAITING TO HEAR ALL DAY?
MM.
[ Squeals ]
[ Giggling ]
[ Grunts ]
THAT'S NOT GOING TO HELP.
LOOK WHAT YOU DID TO MY SPEAR! GO AWAY!
THAT WAS MY FISH! GO BACK OUT WHERE YOU BELONG!
RICHARD, LOOK. NOW WHAT ARE WE GONNA DO?
WHAT ARE WE GONNA DO NOW, RICHARD?
WHAT ARE WE GONNA DO? WILL YOU JUST BE QUIET AND LET ME THINK?
LILLI!
RICHARD!
WE'RE OUT PAST SUNSET. MOTHER'S GONNA BE SO ANGRY.
WHAT ARE YOU DOING? I'VE GOT AN IDEA.
HE'S COMING. COME ON.
[ Grunts ]
WHERE HAVE YOU BEEN?
DO YOU REALIZE HOW LATE IT IS?
YES, MOTHER, BUT THERE WAS A SHARK--
AN OLD ONE OUT IN THE CHANNEL.
HE TOOK HALF OF RICHARD'S SPEAR.
I HAVE TOLD YOU TO KEEP AWAY FROM SHARKS.
** [ Tribal Drums ] THE BOAT DRIFTED LOOSE.
WHAT ARE THE RULES, RICHARD? HOME BY SUNSET ALWAYS.
AND? NEVER TO THE NORTH SIDE OF THE ISLAND.
DO YOU SEE THAT? A FULL MOON.
WE ARE GOING STRAIGHT HOME AND THIS IS NEVER HAPPENING AGAIN. DO YOU HEAR ME?
** [ Tribal Drums Continue ]
[ Thunder Rumbling ]
* COME, O THOU TRAVELER UNKNOWN *
* WHOM STILL I KNOW BUT CANNOT SEE *
* MY COMPANY BEFORE IS GONE
* AND I AM LEFT ALONE-- *
OH.
LILLI, RICHARD, GO GET SOME THATCH.
[ Thunder Rumbling ]
GET BACK INSIDE.
[ Thunder Rumbling ]
[ Mrs. Hargrave Coughing ]
[ Coughing Continues ]
[ Both ] OUR FATHER, WHO ART IN HEAVEN.
HALLOWED BE THY NAME. THY KINGDOM COME, THY WILL BE DONE.
ON EARTH AS IT IS IN HEAVEN.
GIVE US THIS DAY OUR DAILY BREAD AND FORGIVE US OUR TRESPASSES,
AS WE FORGIVE THOSE WHO TRESPASS AGAINST US.
[ Prayer Continues, Indistinct ]
[ Thunder Rumbling ]
[ Wheezing ] I CAN FEEL THAT THE SICKNESS HAS MOVED INTO MY LUNGS NOW.
AND THAT MEANS I MIGHT NOT GET WELL.
WHAT'S GOING TO HAPPEN?
OH, YOU MAY HAVE TO BE HERE WITHOUT ME.
IF GOD WANTS,
I'LL BE WITH YOUR FATHER,
AND WE'LL BE LIKE GUARDIAN ANGELS WATCHING OVER YOU.
THIS IS MY SPECIAL PLACE.
IT'S QUIET HERE AND I CAN SEE THE HOUSE.
HOLLOW OUT THIS GROUND...
ABOUT SO DEEP...
AND LINE IT WITH THATCH AND MOSS.
AND FILL IT IN...
AND SMOOTH IT OVER WITH EARTH.
I'LL WRITE OUT A PRAYER FOR YOU TO SAY.
WE'LL CARVE A MARKER AND IT WILL SAY,
"HERE LIES SARAH HARGRAVE."
"WIFE OF WILLIAM,
"MOTHER OF LILLIAN--"
AND I KNOW I'M NOT YOUR REAL MOTHER, RICHARD,
BUT I'D LIKE TO HAVE IT SAID,
[ Weeping ] "AND MOTHER OF RICHARD."
[ Crying Continues ]
[ Weeping ] "WE PRAY THE LORD TO GRANT US THIS LAST ABIDING WISH.
"THAT LILLI AND RICHARD LOVE ONE ANOTHER...
"AND TAKE CARE OF ONE ANOTHER...
"AND-AND KEEP UP WITH THEIR LESSONS...
"AND BE PREPARED FOR THE SHIP WHEN IT COMES.
AMEN."
[ Birds Chirping ]
[ Thunder Rumbling ]
[ Tapping ]
[ Yawns ]
OHH. [ Yawns ]
[ Tapping Continues ]
BREAKFAST LOOKS EXTRA GOOD TODAY.
THANK YOU. DON'T FORGET IT'S YOUR TURN TO COOK TOMORROW.
I WON'T FORGET. YOU'RE THE ONE WHO ALWAYS FORGETS. WHAT?
WHAT DO I FORGET?
FORGOT TO COLOR YOUR EGGS FOR THE HUNT.
I DIDN'T FORGET. I JUST DON'T THINK WE SHOULD DO IT THIS YEAR.
BUT WE DO IT EVERY EASTER.
MARKS ON THE CALENDAR SAY TOMORROW'S EASTER, SO WE MUST HAVE THE HUNT.
- WHY? - HOW ELSE DO WE KNOW WHO FINDS THE MOST EGGS WINS?
WINS WHAT, RICHARD?
I DON'T KNOW.
NOTHING. JUST WINS.
SEEMS SILLY TO ME.
I DON'T UNDERSTAND WHY WE HAVE TO DO IT.
BECAUSE MOTHER WOULD WANT US TO.
GOT AN IDEA. WHOEVER FINDS THE MOST EGGS THIS YEAR...
WINS A PRIZE.
BUT WHAT KIND OF A PRIZE?
WELL, IF YOU WIN, I'VE GOTTA GIVE YOU SOMETHING.
AND IF I WIN, YOU'VE GOTTA GIVE ME SOMETHING.
[ Giggles ]
IT'S A WONDERFUL IDEA.
I HID TEN EGGS SOMEWHERE BETWEEN THE BEACH AND THE BERRY PATCH.
I HID TEN EGGS BETWEEN THE ROCKS AND THE FERN GLADE.
READY? GET SET. READY. GET SET.
[ Both ] GO!
I FOUND NINE. BEAT THAT!
I ONLY FOUND EIGHT.
[ Laughs ] THE WINNER'S ME! WHERE'S MY PRIZE?
[ Gasps ] RICHARD, YOU WERE DOWN THERE SO LONG. WHAT WERE YOU DOING?
YOU'LL SEE.
YOUR PRIZE.
I'M GONNA KEEP THIS FOREVER. HUH?
MY PRIZE?
THE WHITE BEAD.
I THINK...
IT LOOKS NICE IN MY HAIR.
DO YOU?
I DON'T CARE WHAT YOU DO WITH IT.
OR HOW YOU WEAR IT.
YOU CAN HANG IT FROM YOUR NOSE, FOR ALL I CARE.
[ Richard ] BACK AND FORTH. ROUND AND ROUND!
YOU THINK THIS WHOLE REEF IS YOURS!
YOU THINK YOU CAN SWALLOW ANYTHING THAT SWIMS!
YOU'D LIKE TO CATCH ME, WOULDN'T YOU?
BUT I WAS TOO FAST FOR YOU, STUPID SEA SLUG.
I CAN BEAT YOU EVERY TIME.
AND IF YOU DON'T BELIEVE ME, I'LL PROVE IT!
YAHOO!
MASTER OF THE REEF!
FIRST TIME, HE ALMOST GOT ME.
BUT I WAS TOO FAST FOR HIM.
THIS TIME, HE WAS LYING IN WAIT.
SO I DIVE IN, AND I COULD SEE DOWN HIS MOUTH--
JUST ABOUT 500 TEETH.
STRIPEY LITTLE FISH ALL AROUND HIS GILLS.
AND HE COMES AT ME. WSHH--
WHOP! HE MISSES ME. STUPID SEA SLUG.
[ Laughs ] SEEMS SILLY TO ME.
SILLY? IT'S NOT SILLY.
- IT'S DANGEROUS. - EXACTLY. THAT'S WHY IT'S SILLY.
I DON'T UNDERSTAND WHY YOU HAVE TO DO IT.
I LIKE THE WAY IT MAKES ME FEEL.
- WHAT DO YOU MEAN? - INSIDE HERE.
IT FEELS ALL ALIVE WHEN I KNOW I'M THE MASTER OF THE REEF.
"THE MASTER OF THE REEF?" THE MASTER OF THE REEF!
HEY, DON'T YOU EVER MAKE FUN OF ME.
I'M SORRY.
BESIDES, YOU'RE THE SILLY ONE.
[ Chuckling ] ALWAYS TOUCHING YOURSELF, AND LOOKING AT YOURSELF.
[ Softly ] I DON'T TOUCH MYSELF. YES, YOU DO.
YOU'RE ALWAYS TOUCHING THOSE, WHEN YOU LOOK IN THE MIRROR.
I'M JUST MEASURING HOW MUCH THEY'VE GROWN.
BESIDES, YOU SHOULDN'T BE LOOKING AT ME WHEN I'M NAKED.
WHY NOT? I USED TO SEE YOU NAKED ALL THE TIME.
WELL, IT'S DIFFERENT NOW. WHY?
I DON'T KNOW. I DON'T KNOW WHY IT'S DIFFERENT, BUT IT IS!
LILLI!
I JUST WISH THINGS COULD BE THE WAY THEY USED TO BE.
WE HAD FUN.
REMEMBER THE SEESAW SHE MADE US?
THE GAMES WE USED TO PLAY?
RING-AROUND-THE-ROSY? [ Chuckles ]
[ Together ] * RING AROUND THE ROSY
[ Chuckling ] * POCKET FULL OF POSIES
* ASHES, ASHES
* WE ALL FALL DOWN [ Lilli Shrieks ]
[ Both Laughing ]
RICHARD?
YES?
YOU WOULDN'T MIND...
IF I MOVED MY BED TO ANOTHER PART OF THE HOUSE?
NO. [ Sighs ]
IF YOU WEREN'T GONNA DO IT, I WAS.
[ Tapping ]
[ Tapping Continues ]
[ Tapping Resumes ]
[ Gasps ]
OH MY--
[ Whimpering ]
[ Tapping Continues ]
[ Sighs ]
HOW LONG HAVE YOU BEEN THERE?
I SAW THE BLOOD ON THE QUILT.
ARE YOU ALL RIGHT?
DO YOU REMEMBER?
WHAT MOTHER SAID WOULD HAPPEN WHEN I BECAME A WOMAN?
YES.
WELL, I'VE BECOME ONE.
RICHARD, WAKE UP. RICHARD?
RICHARD. RICHARD, WAKE UP. [ Mumbles ]
RICHARD, I CAN'T SLEEP WITH MY BED FACING THE WRONG WAY.
HELP ME MOVE IT INTO A CORNER. AS SOON AS I'M AWAKE.
YOU AR AWAKE! COME ON! NO, I'M NOT!
STOP IT! LET GO. I'M NOT DRESSED.
WRAP THE QUILT AROUND YOU.
COME ON!
RICHARD, WHAT'S WRONG? YOU'RE ALL HUMPED OVER.
JUST GIVE ME A MINUTE. [ Gasps ]
WHAT HAPPENED TO IT? IT GETS THAT WAY ALL THE TIME NOW.
- WELL, DOES IT HURT? - NO!
[ Laughing ] WELL, CAN YOU WALK?
I CAN WALK JUST FINE. I CAN MAKE IT GO AWAY IF I WANT TO, TOO.
- HOW? - NONE OF YOUR BUSINESS.
IF WE START KEEPING SECRETS, NOTHING'S EVER GONNA BE THE SAME!
NOTHING'S THE SAME AROUND HERE ANYWAY!
NOTHING'S THE WAY IT USED TO BE!
COME ON. LET'S MOVE YOUR STUPID BED.
MOTHER, I DON'T KNOW WHAT TO DO.
HE'S CHANGED. I'VE CHANGED.
EVERYTHING'S SO CONFUSING. [ Rustling ]
I'M TIRED OF YOU ALWAYS SNOOPING ON ME. GO AWAY!
AND I'M SICK OF YOU ALWAYS TELLING ME TO GO AWAY.
GO AWAY, RICHARD, I MEAN IT!
FINE, I'M GOING. I'M GONNA GO TO WHERE I'VE ALWAYS WANTED.
TO THE NORTH SIDE OF THE ISLAND. NO, YOU CAN'T DO THAT!
YOU KNOW WE'RE IN A FULL MOON. I CAN DO WHATEVER I WANT TO DO!
- NO, YOU CAN'T. IT'S A RULE! - IT'S NOT MY RULE, IT WAS HER RULE.
SHE WASN'T EVEN MY REAL MOTHER, ANYWAY.
SHE LOVED YOU LIKE SHE WAS YOUR REAL MOTHER!
I DON'T CARE! I'M SICK OF HER RULES, AND I'M SICK OF YOUR RULES.
FROM NOW ON, I CAN DO WHATEVER I WANT TO DO.
I'M OLD ENOUGH. I CAN GO WHEREVER I WANT TO GO.
COME HOME WHEN I WANT TO.
[ Birds Chirping ] [ Frogs Croaking ]
[ Bird Squawking ]
[ Hissing, Rattling ]
[ Distant Voices Shouting ]
[ Chattering In Native Language ]
[ Drum Beating ] [ Chanting In Native Language ]
[ Man Shouting In Native Language ]
[ Chattering ]
** [ Tribal Drums Continue ]
[ Drums Stop ]
[ Bird Whooping ]
RICHARD?
RICHARD! WHAT HAPPENED?
WHAT HAVE YOU DONE?
I HAD TO HIDE. [ Whimpers ]
THERE WERE ALL THESE HEATHENS. THEY DANCED ALL AROUND ME. THEY DIDN'T SEE ME.
IF THEY HAD, I'D HAVE BEEN DEAD.
THERE WAS THIS ONE HEATHEN.
AT FIRST, I WANTED TO KILL HIM.
BUT THEN, I DIDN'T WANT TO KILL HIM.
AND THEN, I COULDN'T KILL HIM.
WELL, THEN HE SAW YOU. HE'LL TELL THE OTHERS!
NO. I LET HIM GO.
IN PEACE.
I HOPE YOU'RE RIGHT. OH, RICHARD, I'M SO GLAD YOU'RE NOT HURT.
I THOUGHT I'D NEVER SEE YOU AGAIN.
I NEVER WANT US TO FIGHT AGAIN. EVER.
ME NEITHER.
LILLI? YES?
FRIENDS? OH, YES!
ALWAYS.
[ Sighs ]
I FEEL LIKE CRYING.
SO DO I.
I WANT US TO BE HUSBAND AND WIFE. YES.
WITH THIS RING, I THEE WED.
[ Softly ] WITH THIS RING, I THEE WED, RICHARD.
AMEN. AMEN.
AND NOW, WE'RE-- ...ONE.
FOREVER.
[ Laughing ]
[ No Audible Dialogue ]
[ Gasps ] LOOK!
LILLI, HURRY! THE SIGNAL FIRE!
RICHARD, WHAT IF THEY'RE HEATHENS? I'M FRIGHTENED.
WELL, MAYBE WE SHOULDN'T LIGHT THE SIGNAL FIRE.
LET'S SEE WHO THEY ARE FIRST.
[ Richard ] IT'S EIGHT PEOPLE.
THE ONE IN THE LIGHT COVERING MAY BE A WOMAN.
A WOMAN?
KEEP THEM IN YOUR SIGHTS.
THEY MAY NOT BE CIVILIZED.
CIVILIZED. C-I-V-I-L-I-Z-I-D.
REMEMBER WHAT MOTHER SAID ABOUT A GOOD, FIRM HANDSHAKE.
MY NAME IS RICHARD. WE'VE BEEN WAITING FOR YOU FOR A LONG TIME.
I'M LILLI, AND I'M WAITING FOR YOU TO TAKE US BACK TO CIVILIZATION.
WHAT? I AM CAPTAIN JACOB HILLIARD,
MASTER OF THE TRADE WIND.
- AND WE-- IS THIS YOUR LAND? - YES.
MY HOUSE IS THERE.
[ Captain ] WE'RE IN NEED OF FRESH WATER. OUR CASKS OUR FOULED.
WILL YOU GRANT US PERMISSION TO COME ASHORE?
YES. YOU ARE WELCOME HERE.
IF, UH, YOU DON'T MIND COVERING YOURSELF, I'LL GET MY DAUGHTER.
DOES THAT BINDING AROUND YOUR NECK CHOKE YOU?
NO, NO. CERTAINLY NOT. UH--
WELL, UH, YES. SOMETIMES.
UH, I'D APPRECIATE IT IF YOU'D, UH--
[ Scoffs ]
HOW DO YOU CATCH FISH WITH THAT SPEAR?
[ Chuckles ] IT'S NOT A SPEAR, MATE.
WHAT IS IT?
IT'S A RIFLE.
BLOW A MAN'S HEAD RIGHT OFF HIS SHOULDERS.
CASTAWAYS! HOW EXCITING!
THEY SEEM TO BE AN ODD MIXTURE OF KNOWLEDGE AND IGNORANCE.
OH, AND, UH--
THEIR ATTIRE IS A BIT, UH-- [ Clears Throat ]
WELL, IT'S QUITE SPARSE. OH.
IS ANYTHING WRONG?
THE COLOR! IT'S THE SAME AS THE SKY.
PURE SILK.
WITH MY COMPLIMENTS.
AND ONE FOR YOUR BROTHER. OH, HE'S NOT MY BROTHER. HE'S MY HUSBAND.
YOUR HUSBAND?
MOTHER DIED SIX YEARS AGO.
[ Captain ] HOW DO YOU FOLLOW THE YEARS?
SHE TAUGHT US. WE COUNT THE MOONS.
WE KNOW THAT TWELVE FULL MOONS ARE ONE YEAR.
[ Lilli ] WE HAVE CHRISTMAS AND THANKSGIVING AND EASTER.
ALTHOUGH WE'RE NOT EXACTLY SURE WE CELEBRATE THEM ON THE RIGHT DAYS.
[ Captain ] IT'S UTTERLY AMAZING, THE TWO OF YOU ALL THESE YEARS,
IN THIS REMOTE, GODFORSAKEN PLACE.
NOT GODFORSAKEN, CAPTAIN HILLIARD.
NOT GODFORSAKEN AT ALL.
[ Captain ] MM, YOU DO SET AN EXCELLENT TABLE.
MY COMPLIMENTS TO THE CHEF.
LOOK, SYLVIA, THEY'VE FASHIONED THEIR OWN DINNERWARE.
CUPS, SOUP SPOONS-- INGENIOUS.
[ Richard ] WON'T MR. QUINLAN BE JOINING US?
[ Captain ] UH, "MR." QUINLAN IS A SEAFARER, AND PREFERS TO BE BY HIMSELF.
IT'S PLAIN TO SEE WHY YOU'VE BEEN LOST FOR SO LONG.
THE CHARTS DON'T EVEN SHOW THIS ISLAND.
[ Sylvia ] IT'S A WONDER WE FOUND YOU.
[ Richard ] HEATHENS COME TO THE NORTH SIDE OF THE ISLAND.
AT CERTAIN TIMES. THERE'S A BURIAL GROUND THERE.
THIS IS EVER SO TASTY. A GREAT TREAT FROM THE SLOP WE HAVE TO EAT ON THE SHIP.
WHAT IS IT? EEL BROTH.
EEL?
WELL, ONLY THE BROTH IS EEL. THE LITTLE WHITE CHUNKS ARE SEA URCHIN.
WE APPRECIATE YOUR HOSPITALITY, AND HOPE THAT YOU'LL OFFER US THE OPPORTUNITY TO REPAY YOU.
[ Richard ] YOU CAN! YOU CAN TAKE US WITH YOU.
- BACK TO CIVILIZATION. - I SHOULD THINK. IT MUST BE AWFULLY BORING HERE.
WHAT IS THE MEANING OF "BORING"?
WELL, BORING'S WHEN YOU HAVE...
NOTHING WHATEVER TO DO.
SO YOU'RE BORED. LIKE YOU MUST BE, HERE.
NO. WE'RE NEVER BORED.
BOOTS, AND A SHIRT,
AND A COAT AND TROUSERS.
I'LL HAVE SYLVIA EXPLAIN THE FEMALE GARMENTS.
[ Inhales Sharply ] WELL, UH, CARRY ON!
BUTTONS!
I REMEMBER BUTTONS ON MOTHER'S DRESS.
IT'S IRISH LACE.
RICHARD, YOU'LL HAVE TO TURN YOUR HEAD.
I'M GOING TO SHOW LILLIAN A FOUNDATION GARMENT.
ALTHOUGH I DARESAY THERE ISN'T MUCH YOU HAVEN'T SEEN.
AHH! [ Giggles ]
WHAT DOES IT DO? IT GOES AROUND THE WAIST, LIKE THIS.
[ Laughing ] AND THEN, CINCH THE DRAWSTRING.
DON'T LOOK YET, RICHARD.
I'M SHOWING LILLIAN MY SECRETS.
[ Chuckles ]
LOOK. THIS IS VELVET PLUSH.
AND THESE ARE SILVER.
[ Gasps ] SO SMOOTH!
[ Sighs, Chuckles ]
HAIRBRUSH AND COMBS. POWDER PUFF.
AND ROUGE. AND POWDER.
LAVENDER WATER.
MUSK ROSE PERFUME.
AND A HAND MIRROR.
[ Sylvia ] YOU'RE VERY PRETTY, EXCEPT THE HUE OF YOUR SKIN.
BUT WE CAN FIX THAT.
OH, WHAT'S WRONG WITH MY SKIN?
WELL, THE SUN HAS TAINTED IT ALL BROWN.
WE'LL HAVE TO LIGHTEN IT WITH LEMON JUICE.
WHY?
WELL, YOU DON'T WANT PEOPLE IN SAN FRANCISCO TO THINK YOU'RE A--
A FIELD HAND, DO YOU?
NO.
[ Giggling ] [ Giggling ]
[ Grunting ]
UGH! WORSE THAN FISH FAT.
IT'S QUITE COSTLY. UGH!
[ Sniffing ] WELL, LOOK AT YOU.
YOU DO LOOK HANDSOME IN YOUR BOULEVARD SUIT.
SO HANDSOME.
[ Chattering ]
[ Richard Splashing ]
[ Captain Clears Throat ]
DO YOU THINK I'VE APPLIED TOO MUCH ROUGE, RICHARD?
NO. I THINK IT'S BEAUTIFUL.
WELL, THANK YOU, KIND SIR.
WELL.
I'M ALL POWDER AND PAINT, WITH NOTHING TO DO.
OH, BUT WE COULD GO OUTSIDE AND COUNT STARS.
IS THAT WHAT YOU DO HERE AT NIGHT? COUNT STARS?
SOMETIMES WE COUNT STARS.
SOMETIMES I PLAY MY WHISTLE AND WE SING.
- SOMETIMES WE MATE, SOMETIMES WE SLEEP-- - MATE?
- YES. - DO YOU... MATE OFTEN?
WHENEVER WE WANT TO.
[ Chuckles ] JUST LIKE THAT.
OH, YES. YES.
WELL, SOMETIMES WE DANCE. I LOVE TO DANCE.
COME ON, RICHARD. LET'S SHOW SYLVIA HOW WE DANCE.
[ Together ] * RING AROUND THE ROSY POCKET FULL OF POSIES *
* ASHES, ASHES WE ALL FALL DOWN *
[ Laughing ] COME ON, SYLVIA. YOU TRY IT.
I DON'T CALL THAT A DANCE. IT'S CHILDISH.
SIMPLE-MINDED.
WHAT DO YOU MEAN? GROWN PEOPLE DON'T DANCE LIKE THAT.
OH! MAYBE WE SHOULD LEARN A GROWN-UP DANCE FOR SAN FRANCISCO.
- I SHALL TEACH YOU. - OH, WILL YOU?
IT'S LIKE THIS. IT'S A BIT NAUGHTY. IT'S CALLED THE SPANISH POLKA.
DA-DA-DUM, DA-DA-DUM, DA-DA-DUM, DA-DA-DUM-- [ Richard Laughing ]
"SPIRIT'S WILLING, FLESH IS WEAK.
KISS ME, DARLIN', ON THE CHEEK."
[ Both Laughing ]
NOW, DO IT SLOW.
ONE, TWO, THREE, ONE, TWO, THREE, ONE, TWO, THREE--
YOU'RE A BEAUTIFUL DANCER, RICHARD. ONE, TWO, THREE--
OH! LILLIAN'S GONNA HAVE TO BRUSH UP ON HER MANNERS.
IT'S NOT POLITE TO LEAVE YOUR GUEST IN THE MIDDLE OF A LESSON.
WELL, WE'RE SORRY, BUT SHE'LL JUST HAVE TO WAIT HER TURN.
ONE, TWO, THREE, ONE, TWO, THREE, ONE, TWO, THREE--
[ Continues Counting The Beat ]
SHE'S GONNA TEACH ME HOW TO "MAZURKA."
AS SOON AS I GET IT RIGHT, I'LL SHOW YOU.
- YOU LIED TO ME. - WHEN DID I LIE TO YOU?
YOU TOLD ME ONCE THAT YOU'D NEVER HURT ME.
- HOW DID I HURT YOU? - WHEN YOU ALWAYS STARE AT HER, IT HURTS ME.
I'M SORRY.
IT'S JUST THAT SHE'S SO DIFFERENT.
- IN WHAT WAY? - WELL, JUST LOOK AT HER. THE WAY SHE'S ALL COVERED UP.
YOU SAID YOU FOUND ALL THOSE CLOTHES STUPID AND UNNECESSARY.
I DO! IT'S JUST...
I WONDER WHAT SHE LOOKS LIKE UNDERNEATH 'EM.
YOU MEAN... YOU WANT TO LOOK AT HER BECAUSE YOU CAN'T SEE HER?
YES.
YOU REMEMBER WHEN I WANTED TO GO TO THE NORTH SIDE OF THE ISLAND,
JUST BECAUSE I COULDN'T?
YES, I DO.
AND I ALSO REMEMBER WHAT ALMOST HAPPENED TO YOU WHEN YOU DID GO.
GOOD NIGHT, RICHARD.
[ Sighs ]
[ Clucking ]
[ Footsteps Approaching ]
- WHAT HAVE YOU DONE TO YOURSELF? - DON'T YOU LIKE IT?
[ Scoffs ] NO.
WASH IT OFF!
YOU DON'T LIKE IT ON ME, BUT YOU LOVE IT ON SYLVIA.
OH, PLEASE, LILLI. LET'S NOT FIGHT.
WE PROMISED WE'D NEVER FIGHT.
[ Clicks Tongue ] NO.
YOU NEVER EAT BREAKFAST ANYMORE. ARE YOU SICK?
[ Sylvia ] RICHARD! [ Knocks On Door ]
RICHARD, I'M READY FOR MY LESSON NOW!
I PROMISED TO TEACH HER HOW TO FISH.
[ Footsteps Receding ]
[ Sighs Deeply ]
[ Sylvia ] HERE WE ARE, TOGETHER.
OUT IN THE MIDDLE OF A BEAUTIFUL FISHPOND.
IN PLAIN VIEW OF EVERYONE.
SO RESPECTABLE.
BUT LOOK AT THIS, KIND SIR.
ALL WE HAVE TO DO IS LOWER OUR HEADS.
AND WE'RE COMPLETELY HIDDEN FROM PRYING EYES.
SO WE CAN DO WHATEVER WE WANT.
LOVELY! GET OUT OF HERE!
[ Chuckling Wickedly ] AW, COME ON. DON'T BE LIKE THAT.
- RICHARD! - [ Shouting ] RICH-A-ARD!
HE'LL NEVER HEAR YA. HE'LL BE OUT PLAYIN' GAMES WITH MISS SYLVIA FOR HOURS.
RICHARD! RICHARD! RICHARD! RICHARD!
[ Whimpering ] NO!
[ Screaming ] BUT YOU'RE MISSING SOMETHING. WHERE'S YOUR LOVELY PEARL?
I DON'T KNOW WHAT YOU MEAN!
THE LITTLE WHITE BEAD THAT YOU WEAR IN YOUR HAIR-- WHERE IS IT? IT'S AT THE HOUSE!
LILLI.
IT'S NO TIME TO BE THINKING ABOUT LILLI!
I TOLD HER I'D NEVER HURT HER.
[ Clicks Tongue ] DON'T FEEL SORRY FOR HER, RICHARD.
SHE'S HAD YOU ALL TO HERSELF.
BUT SHE DOESN'T OWN YOU. YOU'RE NOT MA RRIED.
WE ARE. [ Scoffs ] BUT NOT REALLY.
A LOT OF MADE-UP WORDS IN THE MIDDLE OF A JUNGLE DOESN'T COUNT.
IT DOES TO ME.
WHY DON'T YOU JUST... FOLLOW YOUR HEART?
SHE... IS MY HEART.
[ Lilli Weeping ]
WHERE IS IT?
YOU CAN'T JUST LEAVE ME HERE!
VERY RUDE BEHAVIOR!
YOU'LL NEVER FIT IN CIVILIZED SOCIETY!
RICHARD!
[ Chattering ]
[ Lilli Gasping, Sobbing ]
GET AWAY FROM HER!
[ Screaming ]
CAME FROM THE HOUSE. GET THE OTHER RIFLE. QUICKLY.
GIVE ME THAT RIFLE. QUICK.
[ Grunting ]
NO! NO!
[ Lilli ] GET HIM! GET HIM!
- [ Lilli ] LOOK OUT! - [ Groans ]
NO!
- [ Sobbing ] NO! - [ Richard Yelling ]
RICHARD! HELP US!
[ Crewman ] QUINLAN! YOU'LL KILL 'IM!
RIGHT, QUINLAN. THAT'S ENOUGH. YOU HEARD ME.
[ Richard Choking ] I SAID ENOUGH!
- [ Crewman ] BREAK IT UP. - [ Captain ] QUINLAN!
GET OFF HIM! KEEP OUT OF THIS, GIDDENS! I'LL TAKE HIS BLOODY HEAD OFF!
- GET OFF HIM! - TAKE ORDERS. PUT THAT DOWN.
- BUGGER OFF! - YOU HEARD THE CAPTAIN. DROP THAT, OR ANSWER TO MUTINY!
[ Captain ] I SAID, PUT IT DOWN! [ Lilli ] NO! RICHARD!
QUINLAN! RUN!
[ Weeping ] RICHARD, RICHARD!
[ Moaning In Pain ]
[ Rifle Clicking ]
[ Screaming ]
[ Screams ]
[ Screaming ]
ARE YOU ALL RIGHT?
I'M FINE.
I ALWAYS WEATHER A STORM WELL.
I GET THAT FROM MOTHER.
YES, YOU DO.
CAPTAIN HILLIARD SAYS HE WANTS TO SET SAIL AT DAWN.
I GUESS THAT MEANS CAPTAIN HILLIARD'S DAUGHTER WANTS TO SET SAIL AT DAWN.
I DON'T CARE WHAT SHE WANTS.
I DON'T CARE ABOUT HER AT ALL. I KNOW THAT NOW, LILLI.
YOU'RE THE MOST IMPORTANT THING TO ME IN THE WHOLE WORLD.
WELL, YOU CAN SET SAIL AT DAWN.
BUT WE'RE NOT GOING.
YOU'RE NOT MAKING SENSE.
[ Sighs Deeply ] DO YOU REMEMBER...
THAT LULLABY SHE USED TO SING TO US?
* LOVE DIVINE
* ALL LOVE'S EXCELLING
YES.
WILL YOU TEACH ME TO PLAY IT FROM THIS?
- WHY? - I'M GOING TO HAVE USE FOR IT.
THERE'S A BABY GROWING INSIDE OF ME.
HOW DO YOU KNOW?
A WOMAN KNOWS THESE KIND OF THINGS.
THAT'S HOW.
LILLI! [ Chuckles ]
I WON'T LET IT BE BORN IN CIVILIZATION.
I WANT IT TO BE BORN RIGHT HERE.
WHERE THERE'S NO EVIL, AND NO LIES AND NO GUNS.
YOU'RE RIGHT.
WE'LL STAY HERE.
JUST THE THREE OF US.
I LOVE YOU, LILLI.
[ No Audible Dialogue ]
[ Man ] * SOMEWHERE
* A DREAM AWAY
* THERE IS A BETTER PLACE
* A BRIGHTER DAY
* SOMEWHERE THAT'S SAFE
* SOMEWHERE THAT'S FREE
* WHERE WE CAN BE TOGETHER
* SO JUST CLOSE YOUR EYES
* AND LET ME TAKE YOU THERE
* TO SOMEWHERE ONLY DREAMERS EVER GO *
* IT WON'T BE JUST A FANTASY
* OH, NO IF YOU BELIEVE WITH ME *
* THE TWO OF US ALL ALONE
* IN A WORLD OF OUR OWN
* A WORLD OF OUR OWN
* WHERE WE KNOW WE BELONG
* A WORLD OF OUR OWN
* WHERE LOVE IS SURE AND STRONG *
* CAN NEVER DIE
* AND LOVERS NEVER SAY GOOD-BYE *
**
* SOMEDAY
* A LIGHT WILL SHINE
* AND THERE WILL COME A TIME
* THAT'S YOURS AND MINE
* A TIME SO SWEET
* SO CLEAR AND TRUE
* WE'LL SEE RIGHT TO FOREVER *
* SO JUST CLOSE YOUR EYES
* AND LET ME TAKE YOU THERE
* TO SOMEWHERE ONLY DREAMERS EVER GO *
* IT WON'T BE JUST A FANTASY
* OH, NO IF YOU BELIEVE WITH ME *
* THE TWO OF US ALL ALONE
* IN A WORLD OF OUR OWN
* A WORLD OF OUR OWN
* WHERE WE KNOW WE BELONG
* A WORLD OF OUR OWN [ Chorus ] * A WORLD OF OUR OWN
* WHERE LOVE IS SURE AND STRONG *
* IT CAN NEVER DIE
* AND YOU AND I WON'T EVER SAY **
[ Spoken ] GOOD-BYE.
** [ Fades ]